11/22/2023 0 Comments Ace of spades songIt’s not even fair to say, it’s just a fact of the universe that Ace of Spades is Motörhead’s most popular song. Sometimes, a layer of filth actually improves the whole experience. It’s quite basic, but strummed with the force of an exploding sun, adds a whole new layer to it. Famed for playing almost as a rhythm guitarist or “lead bassist”, he played a selection of Rickenbacker basses, pumped straight into a stack of Marshall amps, usually with the treble cranked up to the three o’clock position, which produced the biting sound you hear as soon as the track begins. It’s fair to say that a lot of the aggression and the sheer magnitude of the riff comes from frontman Lemmy Kilmister’s bass setup. You might come out the other side with a thirst for Jack and a penchant for debauchery, but “that’s the way I like it baby, I don’t wanna live forever!”. Let’s be frank here, your average listener knows one Motörhead song, two at a push, but if you’re going to know one and one only, you can’t really pick better than Ace of Spades, but please, use it as a gateway into Motörhead’s wider discography. From the first rattle of this riff, you’re instantly drawn in, because the magnetic force of this riff won’t let you leave. No distortion pedals or trickery were used, just good old fashioned elbow grease, a hot rodded Marshall amp, and the most demonic frontman of his generation. One such riff that’s universally known is probably one of the most aggressive. Start your children with big riffs at an early age, folks. Of course, if a newborn child does not instantly click and bond with any riff, the child is essentially useless and should be thrown away. From the first bar, everyone from your granny to a newborn child instantly recognises and clicks with that riff. Read Last Week’s Lecture on Breed by Nirvana here. By the end of this intensive course, you will be able to recognise a classic riff from the first note, make pub conversations awkwardly unbearable, and alienate Tinder matches from the word go. Search for: Categories Categories Follow The Voice Of Unreason on WordPress.All aboaaaaaaaaaaaaaaaaaaaaaaaaaaardahahaha! Welcome to Riff University, where each week, Dr* Oliver Butler ( ), with his PhD in Riffology** will walk you through some of the biggest, baddest and boldest riffs of all time, right from the genesis of rock and roll, to some of our future classics. Nor may you transmit it or store it in any other website or other form of electronic retrieval system. You may not, except with our express written permission, distribute or commercially exploit the content. you may copy the content to individual third parties for their personal use, but only if you acknowledge the website as the source of the material.you may print or download to a local hard disk extracts for your personal and non-commercial use only.All rights reserved.Īny redistribution or reproduction of part or all of the contents in any form is prohibited other than the following: This website and its content is copyright of the author as named – © 2023. Truth or lie?, metal or punk?, speed or vodka? The fact was that Ace of Spades was Motorhead’s contribution to the pantheon of rock n’ roll – and nothing else mattered. Meanwhile producer Vic Maile persuaded the trio to deploy his secret weapon: wood blocks, used in a breakdown which came to be known by the band as “the tap dancing section”.Īdding to the group’s mythology, Lemmy would go on to claim he wrote the lyrics – the words of a card sharp living his life as a game of russian roulette – in the back of a van speeding at 90 miles an hour. Returning to London the band agreed that whilst it was good, it was missing something: back on duty, Lemmy added his trademark sandpaper howl (Just try singing it properly without destroying your larynx). Motorhead were famously the metal band which punks could like and vice versa, occupying a unique spot in British music taste, one which was cemented by the the relase of Ace of Spades.Īs the story goes the demo version was recorded in Wales largely without front man Lemmy’s presence, guitarist “Fast” Eddie Clark recalling his absence later being due mainly to the singer spending most of his time with a “Nice bird”.
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